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#SOFTUBE TAPE DEMO CRASHES PRO#
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Was to have someone to jam with.Products Affected : Pro Tools, Pro Tools Ultimate We write (or I do) in if not novel lengths at least short story length. The 3rd is my main beast that does everything else in addition to Reaper and video editing.
#SOFTUBE TAPE DEMO CRASHES HOW TO#
The second is just YouTube how to play a particular song. One that does nothing but control my modeling amp Boss Katana 100/212 (I have 2 of those). I currently have 3 laptops in the studio now. In my head right now I’m trying to both figure out how to hook up my iPad to the laptop that runs Reaper. To my studio/formal living/dining room we use twice a year, thanksgiving & Christmas. I do have a second monitor (real big) I’ve not moved yet from my office/guest bedroom. Is your rig with the faders ?is that just a second monitor that’s touch sensitive like an iPad? And the 3rd with all the plug ins he’s using. So I watch a guy on YouTube (hop pole) and though he doesn’t use his big rig for tutorials he’s said it’s got 3 screens he uses with it. But the idea of having 400 individual tracks with a DAW if I want, is mind blowing. It’s modeling amps (way smarter than I am but I’m getting there) and DAW’s. But instead of going from horse & buggy to flying cars & transporter, beam me up. I woke up a few hundred years in the future. Still with Reaper as my DAW it’s a movie. A modeling amp (wow that technology changed a lot) and a stage piano, I always wanted to learn piano but I had a DX7 and a Korg analogue something way back when. I bought an electric guitar like I gigged with in the 70’s. Now retired wanting something to do in addition to watching porn. So I’ve been out of music for a few decades except playing an acoustic 12 string once in a while. Just the bouncing down to one track leaving 3 more to use was a pain. Though years ago I did personally have a 4 track cassette I recorded on. The 2” tape reel to reel, 16 track type old fart. This is how to get ITB to sound like a console. Do it all blind, like how all the classic albums were done. Try not to rely on eq visualizations and curves. Switch of your meters, pull the faders down and set your levels by ear. They'd just mark on paper what all the comp and eq and level settings were before they left and let somebody else use the desk. On desk people used to save a session with recall sheets. Copy pasting each settings and all this minutiae. Switch off your meters! It sounds crazy but on a real desk you never pay attention to the meters the way you do in a daw. The NLS from waves was cool because they emulated multiple channels from one desk, not just one strip - which will get used over all your tracks.Īnyway, with regards to mixing like you would in real like. the beauty is that each channel is unique with its own capacitors paths and signal flow. My problem with "channel strip" plugins is that they model 1 channel. I would have just bought rotary knobs and assigned them to my favorite plugins.